THEN NOW
2017
This clock is a conceptual translation of the relationship between Steffie and her granddad. She gave her granddad a bracelet that she also had one herself. By this bracelet they would stay connected. Her granddad served the country when he was her age, he died on an age of 77.
You see this in the clock by the separated minutes and hours. Steffie is standing for the minutes, the surface is smooth and as big as her age, 19 at that moment. The surface of the hours is rough, and the size represents his age. The hands almost touch each other, but they would never get back together.
THEN NOW
2017
This clock is a conceptual translation of the relationship between Steffie and her granddad. She gave her granddad a bracelet that she also had one herself. By this bracelet they would stay connected. Her granddad served the country when he was her age, he died on an age of 77.
You see this in the clock by the separated minutes and hours. Steffie is standing for the minutes, the surface is smooth and as big as her age, 19 at that moment. The surface of the hours is rough, and the size represents his age. The hands almost touch each other, but they would never get back together.
BOWLS
2020
Such a shame that we don't handle materials well, Steffie started experimenting with dried out clay to see how she can bring it back into a process.
This research resulted in these bowls, the special thing about these objects is that there appears a relief and a colored pattern, within the clay casting technique.
Colored pattern
How casting clay normally looks
Reliëf
EXPERIMENTS
